Hd. Samyang XEEN 50mm T1.5 Cine Lens for Canon EF Mount. When compared to the Zeiss CP2 50mm T2.1 Makro Cine @ T2.8 we see that the Samyang 50mm T1.5 Cine retains very slight chromatic abberation at the edges when stopped down, but becomes slightly sharper at the edges than the Zeiss lens. Its Low T-number gives better light gathering power and greater choice when it comes to selecting depth of field. Samyang this week announced two extremely fast new additions to their growing lineup of cinema-style lenses for mirrorless cameras, a 21mm f/1.4 (T1.5) and 50mm f/1.2 (T1.3).. On the cinema side of the equation, Samyang â whose glass is known under the Rokinon brand in the US â introduced a 21mm T1.5 and a 50mm T1⦠Deal. These are the lenses we compared in this review:⢠Samyang 50mm T1.5 Cine ($432)⢠Zeiss CP2 50mm T2.1 Makro Cine ($4900)⢠Canon EF 50mm F/1.4 USM ($399)⢠Contax Zeiss 50mm F/1.4 Planar (Retro) ($300-$400). Samyang 50mm T1.5 Cine VDSLR MK2 Lens for Canon RF . The iris however is not de-cklicked and the focus ring has to be upgraded with gears in order to use a follow focus. Same quality as Rokinon DS cine? However, if you are a single shooter, you could save your money for other stuff. T1.5 to T22; Minimal focusing distance : 30 cm; Aperture and focusing rings with Teeth to connect video follow focus gear; Fully manual lens , no electronic contact with the body; This lens is the cine lens corresponding to the Samyang 35mm F1.4 AS â UMC. For professional applications the Zeiss CP2 is certainly recommended and we use it internally for all our laboratory tests. The new Samyang VDSLR II 85mm T1.5 Cine Lens is one of Samyang's newly introduced 2nd generation of cine lenses under its VDSLR II line. We told you that they were teasing about a new lens, and that the rumors said it was a 50mm. The lenses produce the same image color and have a united location of aperture and focus gear ring to maximize the convenience when filming. : Elec. The Samyang Cine lens offers all you need for basic manual operation and accurate focusing movie style. The long awaited Rokinon 50mm T1.5 Cine Lens is finally here! SAMYANG 50mm T1.5 VDSLR II AS UMC Cine Lens Price & Specs Weight: 575g Dimensions: Diameter 81.6mm X Length 74.7mm Lens Construction: 9 Elements in 6 Groups Angle of View: 46.2 degrees on Full Frame Number of Diaphragm Blades: 8 Minimum Focusing Distance: 45cm Filter Size: 77mm Focus Type: Manual ⦠Notice: We used the Sony E mount option of the Samyang 50mm T1.5 Cine and shot this test on a full frame Sony A7S.The other lenses with Canon mount were used with a Metabones IV adapter. Want regular CineD updates about news, reviews, how-toâs and more?Sign up to our newsletter and we will give you just that. The new Rokinon Cine DS 50mm T1.5 Cine Lens is one of Rokinon's newly introduced 2nd generation of cine lenses under its CINE DS line. Download one of these great options and you'll be on your way: The 50mm T1.5 VDSLR AS UMC Lens for Micro Four Thirds from Samyang is a fast, manual focus, prime lens. It is now finally here and what we found is impressive. It will work as 50mm on fx bodies and as 75mm on dx bodies such as d5200. It is nowhere as well weather proofed as the Canon L lenses for example.It is very well built, but I would avoid getting it wet if possible.At least, I wouldn't be game to get mine wet if I can avoid it.A few drops shouldn't be a problem though. The Samyang 50mm T1.5 VDSLR AS UMC Lens for Canon EF Mount is perfectly compatible with the 70D. The optics are a masterpiece of design and a culmination of Samyangâs expertise in optical engineering. Samyang 50mm T1.5 VDSLR AS UMC Lens, Canon EF-Mount (7441) . The filter thread diameter is 77mm. Samyang 50mm T1.5 VDSLR Cine Lens. Optimized for cinema and video applications, the focus and aperture control rings are ⦠Also each lens has been tested to match color and contrast for a consistent look and less potential post-processing. Create a B&H Account, America's Best Customer Service List-Newsweek, Prices, specifications, and images are subject to change without notice. Both lenses are available for Nikon, Canon EOS, Pentax K, Sony A, Canon M, Fujifilm X, Samsung NX, ⦠© 2021 All rights reserved. Gen. #0907906. #0907905; Sec. Can this be used in rainy conditions? SAMYANG CIEN LENS 'Low Light' TEST Video by Petru Rimovetz Test lenses:- 35mm T1.5 UMC II- 50mm T1.5 AS UMC- 85mm T1.5 AS UMC II The product will be officially introduced during upcoming Photokina 2014 photographic fairs in Cologne. Its Low T-number gives better light gathering power and greater choice when it comes to selecting depth of field. Sharpness:This is where the Samyang really shines. The 85mm has a 72mm filter thread. Sebastian Wöber is a director and DP, studied at Filmacademy Vienna and is passionate about harnessing the potential of filmmaking tech to create powerful cinematic work with limited resources. Vizelex EF-SONY E ND Throttle Adapter: https://goo.gl/GHMGtQSamyang 35mm T1.5: https://amzn.to/2LSr7g3Sony A7s: https://amzn.to/2XM82ypShure MV88 ⦠In addition, a lens multi-coating helps to improve light transmission reducing flare and ghosting. One thing that really makes this lens Cine (optically) is that it can truly be used shooting wide open at T1.5 with very minor optical degradation. Also, each lens is tested to be color matched with the other lenses in the series and provide the same color and contrast when shooting video. I won’t go into too much detail about technical stuff here, but will give you an overview of the lenses performance: Distortion:Of all tested lenses Samyang has the strongest distortion. XEEN is a range of video-cinema lenses which blazes a new trail in the professional lens market. Please enable javascript for your best B&H experience. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, ⦠The focus and aperture gears are exactly aligned so ⦠Unfortunately, your browser doesn't support these improvements. 50mm manual focus prime lens provides the 35mm focal length equivalent of 100mm on Micro Four Thirds format cameras. While it does introduce the most heavy distortion of all lenses tested it is the sharpest of them all and has only slight chromatic abberation and little vignetting when used wide open. I would give the following ratings:Samyang 100%, Contax 95%, Canon 90%, Zeiss 20% distortion. We test our gear optically with an Imatest ISO chart for up to 6K resolution. Much needed features of a video lens besides the de-clicked aperture is the geared rings for a mechanical interface with manual or motorized controls plus horizontal focus and aperture scales for easy reading by the camera assistant. Functional as still photo lens but optimized for cinema and video shooting with geared aperture and focus rings, de-clicked aperture for smooth exposure transitions, and side-facing aperture and distance markings. The Zeiss CP2 50mm T2.1 Makro Cine of course offers all functionality a Cine lens should have. Samyang Optics VDSLR lens line. Pre-Order Overview Specs Reviews Compare Protection Overview About Samyang VDSLR MK2 Samyang is introducing a new VDSLR MK2 lineup, enhanced with weather sealing, focal lengths written on both sides, sleek design and 9 aperture blades. O ptimized for cinema and video applications, t he focus and aperture ⦠The Samyang 50mm T1.5 VDSLR manual focus lens can be used in cameras with image size up to Full Frame 35mm. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for ⦠We cannot test the lenses lifetime. Personally I like vignetting. See the image below for an optical comparison. Samyang Cine lenses are very popular among low budget filmmakers as they offer semi-professional cine lens “functionality” at a very affordable price. These are the Samyang 50mm Cine’s advantages over a normal photo lens:⢠It has geared focus and iris control for follow focus and iris control.⢠The focus ring has hard stops on either end for accurate focusing.⢠The Iris can be controlled manually and is “de-clicked” / has no steps.⢠Full focusing ring rotation is about 160°.⢠Standardised front diameter of 77mm among most Samyang Cine lenses. Disregarding its optical qualities, as a video lens it is not ideal. Manufacturer rebates, terms, conditions, and expiration dates are subject to manufacturers printed forms NYC DCA Lic. The VDSLR 50mm T1.5 MK2 is only 7.47cm (2.94â³) in length and weighs just 525.8g (1.16lb). 50mm is among the most popular of focal lengths and Samyang offers a great deal here. Finally, all lenses from this series print focus scales on both sides of the lens barrel for ease of use from each side of the camera. cinema5D GmbH, Kranzgasse 22/9-10, A-1150 Vienna, Austria, Nanlux Evoke 1200 Released â A Very Powerful LED Light, THANOS-PROX - New Version of Gimbal Support System Announced, New Insta360 ONE R Firmware â Horizon Lock, Loop Recording & More, Zhiyun SMOOTH-Q3 Smartphone Gimbal Released, SANDMARC Motion Pro Variable ND Filter Review, Kinefinity MAVO Edge 8K Review - Hands-on & Short Documentary (Pre-Production), Prompter People Desktop Flex and ProLine Plus Teleprompter Review. The Samyang XEEN 50mm T1.5 is a dedicated professional cine lens for film and high end video production including 4K. The Rokinon Cine DS lineup has 3 primary advantages: 1) All of the gears are unified among all Rokinon Cine DS lenses. The 24, 35, and 50mm lenses feature a 77cm front filter thread. Samyang 50mm Cine Review – 50mm is the one missing focal length in the broad Samyang Cine Lens Lineup. Olympus EM5 III vs Sony A6600 Nikon Z50 vs Sony A6400 Sony A6600 vs Fujifilm X-T30 Sony A7 III vs Canon EOS R Canon 90D vs Nikon D7500. The detail is taken from the top left hand side of an image with 4K resolution (below is a 100% crop). Internal focusing system with 9 lens elements in 6 groups. The lens completes their cine lens set of the most popular focal lengths (24mm, 35mm, 50mm, 85mm) and fills the gap between their 35mm T1.5 Cine lens and their 85mm T1.5 lens. The 50mm T1.5 VDSLR AS UMC Lens for Canon EF Mount from Samyang is a fast, manual focus, prime lens. The new VDSLR series consists of four lenses: 24mm T1.5 MK2; 35mm T1.5 MK2; 50mm T1.5 MK2; 85mm T1.5 MK2; A 14mm T3.1 lens will be available in early 2021. The aperture control ring has also been de-clicked, which enables smooth iris pulls. How did the others perform in comparison? The Samyang 50mm T1.5 VDSLR manual focus lens can be used in cameras with image size up to Full Frame 35mm. Samyang 85mm T1.5 AS IF UMC Verdict If you've ever fancied experimenting with a fast aperture prime telephoto lens before, but have been put off by the cost, this lens could be the answer. There is very little color fringing when shot wide open. The 50mm has a minimum focus distance of 1.5'. The Contax Zeiss 50mm F/1.4 Planar (Retro) was equipped with a native Leitax mount hence offering a strong connection to the camera. If you are doing video and particularly if you have a focus puller, you want this lens. & Home App. Update your cinema lens set with this 50mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in a Sony E mount. The new Samyang 50 mm T1.5 AS UMC Cine Lens will be ⦠Both this Samyang lens and the Rokinon 50mm T1.5 (B&H # RO5015TC) are made by Samyang Optics in Korea and are both the same exact lens. The Focus and Iris rings operate very smoothly over the whole range.Not too stiff and not too loose. © 2000-2021 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001, Samyang 50mm T1.5 VDSLR AS UMC Lens for Micro Four Thirds, loc_en_US, sid_1077557, prod, sort_[SortEntry(order=HAS_STAFF_ANSWERS, direction=DESCENDING)]. Canon and Contax come in slightly behind and on the CP2 as mentioned vignetting is quite strong. Element, Manual Focus and Aperture, Geared Focus and Aperture Control Rings, De-Clicked Aperture Control Ring, UMC Lens Multi-Coating, Minimum Focus Distance of 1.5⦠Cancel Search. Comparing both lenses at T2.1 the Samyang has much stronger distortion while the Zeiss has only very little of this.On the other hand one of the characteristics of the Zeiss CP2 line is very strong vignetting when used wide open. Personally I find 90° better for handheld operation.The Zeiss CP2 50mm T2.1 Makro Cine is all metal and certainly performs in a different class in terms of built quality and functionality. The Canon EF 50mm F/1.4 USM offers no Cine functionality whatsoever. When used on Micro Four Thirds format cameras it offers a 35mm equivalent focal length of 100mm pushing it into a telephoto angle of view. The 50mm T1.5 Cine lens joins the new XEEN range of professional video cinema lenses from Samyang. In addition, the XEEN lenses feature Multi-Nano-Coatings ensuring maximum image quality by minimising lens ⦠It certainly is the sharpest lens of the pack when shot wide open though. The 50mm T1.5 cine lens will be presented during photokina 2014 and will be exhibited at Samyang's stand No. The Samyang 50mm T1.5 AS UMC VDSLR II Manual Focus Cine Lens for Nikon F Mount provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Samyang 50mm T1.5 It provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. It provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Build quality is not superb (There were some smudges from the factory on the markings of our lens. The email address you entered was an invalid email. Certainly the Zeiss CP2 is a tank in comparison, offering extreme precision and optical accuracy. Overview. Overview. Will this lens fit and work with my Nikon D5200 ? However compared to the Zeiss CP2, all other lenses are very very similar. The 50mm T1.5 is part of the VDSLR series of cine lenses, sharing characteristics and features that unify the series and make it easier for users to swap out lenses when shooting video. Each of the VDSLR lenses will offer the same alignment of their geared focus and aperture rings so that follow focus and other rig accessories won't need re-adjustment when swapping lenses. He is currently teaching film at Andrews University in the US. Check out Samyang 50mm T1.5 AS UMC VDSLR Cine Lens for Canon DSLR Cameras reviews, ratings, features, specifications and browse more Samyang products online at best prices ⦠Those thoughts/rumors were proven to be true (at least partially) today as Samyang/Rokinon/Bower announced their new 50mm T/1.5 Cine Lens. See the optical comparison below. In this test we compared 4K files. More about Photography. Each VDSLR lens provides aligned focus and aperture rings so that readjustment of the follow focus is not necessary when switching lenses. The Samyang VDSLR II lineup has 3 primary advantages: 1) All of the gears are unified among all Samyang VDSLR II lenses. Because the price is 150 off. It provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. A completely redesigned lens the Samyang 35mm F1.4 AF ⦠Samyang 50mm T1.5 AS UMC is one of Samyang Optics VDSLR lens line for full frame image sensor size. Speed up future orders, see order history, create wish lists, and more. This difference will probably not be noticeable in HD. Internal focusing minimizes the effects of lens breathing, which insures a more consistent angle-of-view when adjusting focus. Focal length 35mm 50mm 85mm 135mm; Maximum T-stop: T1.5: T1.5: T1.5: T2.2: Negative size: 24 mm X 36 mm: 24 mm X 36 mm: 24 mm X 36 mm: 24 mm X 36 mm: Angle of view: Full Frame(1:1x) The VDSLR line of cinema lenses unifies Samyang's cine lenses into a cohesive series. If these Samyang VDSLR II lenses are identical to the Rokion DC cine lenses, it would be great if there were lens kits and more models, like the Rokinon DS line. The 50mm T1.5 VDSLR AS UMC Lens for Canon EF Mount from Samyang is a fast, manual focus, prime lens. Samyang Optics VDSLR lens line. The 50mm T1.5 AS UMC Cine DS Lens from Rokinon is a fast manual focus prime lens. We strive to offer our customers the easiest, most seamless shopping experience every day—using the latest technology and security measures. It provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. The long awaited Rokinon 50mm T1.5 Cine Lens is finally here! How does this compare to the 50mm f 1.4 lens (SY50M-E) besides the unclicked aperture? O ptimized for cinema and video applications, t he focus and aperture ⦠Going with the lesser priced Samyang lens is a great choice. Pricing and availability of either lens have yet to be announced. As well as delivering the beloved image quality and fast T-stop values of the existing VDSLR series, the new models now have weather sealing, 9 aperture blades and their focal lengths are visible on ⦠The Samyang 50mm T1.5 VDSLR manual focus lens can be used in cameras with image size up to Full Frame 35mm. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller. While all tested lenses breathe (zoom) when focused the Samyang performed best in this test, followed closely by the CP2. One aspherical and one hybrid aspherical lens element control aberrations and improve sharpness throughout the frame. Samyang 50mm T1.5 AS UMC is one of Samyang Optics VDSLR lens line for full frame image sensor size. New Arrival: Samyang 50mm T1.5 Cine VDSLR MK2 Lens for Sony E. Buy now & save $50. And the feature that would be essential on productions with an focus puller is the Dual Side of the Rokinon DS line. The Rokinon Cine DS lineup has 3 primary advantages: 1) All of the gears are unified among all Rokinon Cine DS lenses. It has a total focus travel of about 270° in its makro range, but focuses from infinity to the Samyang’s 0.45m within an angle of about 90°. The VDSLR MK2 set comprises 5 of the most-used focal lengths: 14mm T3.1, 24mm T1.5, 35mm T1.5, 50mm T1.5 and 85mm T1.5. It provides a very fast maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. We close every Friday evening to Saturday evening for Shabbos. The 50mm f 1.4 lens (SY50M-E) is a still photo lens thus does not need these features. I would expect Samyang to to eventaully announce more focal lengths. Lens multi-coating improves light transmission and reduces flare and ghosting. Focal length 35mm 50mm 85mm 135mm; Maximum T-stop: T1.5: T1.5: T1.5: T2.2: Negative size: 24 mm X 36 mm: 24 mm X 36 mm: 24 mm X 36 mm: 24 mm X 36 mm: Angle of view: Full Frame(1:1x) a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Serv. Lastly, the lenses are marked with focusing scales on each side of the barrel for easier adjustment from both sides of the camera. These findings as well as the Cine attributes the lens brings make it a no brainer as to whether it is a good 50mm Cine lens for video work. It provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Shot at T1.5 the Samyang lens is impressively sharp into the edges of the whole image, a lot sharper and cleaner than both the Canon and Contax at the same aperture. The 50mm T1.5 VDSLR AS UMC Lens for Micro Four Thirds from Samyang is a fast, manual focus, prime lens. Samyang XEEN 50mm T1.5 Cine Lens for Canon EF Mount. The lenses produce the same image color and have a united location of aperture and focus gear ring to maximize the convenience when filming. The 50mm T1.5 VDSLR AS UMC Lens for Canon EF Mount from Samyang is a fast, manual focus, prime lens. August 14th 2020, Seoul, South Korea â Global optics brand Samyang ⦠Buy Samyang 50mm T1.5 VDSLR AS UMC Lens for Sony E Mount featuring E Mount Lens/APS-C & Full Frame, 75mm (35mm Equivalent on APS-C), Aperture Range: T1.5 - T22, One Aspherical, One Hybrid Asph. With an eight-bladed aperture, objects outside the depth of field are extremely soft, which professional filmmakers and photographers specializing in portrait photography will especially appreciate. The aperture control ring has also been de-clicked, which enables smooth iris pulls. This can be a nice effect but can also be regarded as a negative point about a lens. The Samyang 50mm Cine lens offers very impressive optical quality. Korean lens manufacturer Samyang has just announced their latest addition to their Cine lens line-up â the long-awaited Samyang 50mm T1.5 AS UMC lens.. Breathing:Of all lenses Samyang seemed to me like the one with the least apparent breathing. O ptimized for cinema and video applications, t he focus and aperture ⦠The new Samyang 50mm T1.5 Cine lens is here. Announced in August it is already available and we’ve now taken a close look and compared it to 3 other important 50mm full frame lenses. Home Latest Products Product Category. The main characteristics of XEEN lenses are their outstanding resolving power, which is suitable for high-definition videos. Samyang has announced two new 50mm prime lenses, one is 50mm f1.4 photo lens, the other is 50mm T1.5 Cine lens. Store #0906712 Elec. The original VDSLR series are available in focal lengths of ⦠We tested the Sony E-mount version. Update your cinema lens set with this 50mm T1.5 VDSLR MK2 Cine Lens from Samyang that comes in a Sony E mount. This difference will also be noticeable in HD.The CP2 is not compared as it is at T2.1 wide open. It is a full crame lens. Very fast T1.5 maximum aperture for effective low light capture and shallow depth of field. XEEN is a range of video-cinema lenses which blazes a new trail in the professional lens market. Enter new zip code to refresh estimated delivery time. The lens is also available for Canon EF, Nikon F, MFT and Sony A: HERE, We have an exclusive cinema5D deal for our European readers: (20⬠off on any Samyang lens) LINK. Optimized for cinema and video applications, the focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. The presented lens with the focal length of 50mm is yet another product released by the Korean manufacturer. What is the weather-proofing on this lens? A-025 in hall 2.1. The 50mm T1.5 VDSLR AS UMC Lens for Canon EF Mount from Samyang is a fast, manual focus, prime lens. O ptimized for cinema and video applications, t he focus and aperture ⦠The previously leaked Samyang cinema lenses are now officially announced â 24mm, 35mm, 50mm, and 85mm T1.5 for Canon EF, Canon RF, Canon EF-M, Sony E, Nikon F, Fuji X, and MFT. If you need it for photography you should get f1.2 version. Samyang Optics 21mm T1.5 ED AS UMC CS is a wide angle manual focus cine lens for mirrorless cameras with APS-C sensor sizes. Format: Full Frame, Lens Mount: Sony E NEX Mount, Lens Type: Standard, Markings: Feet, Meters It is a compact cine lens to capture the broad world. O. he focus and aperture control rings are outfitted with industry standard gearing, which provides an interface for working with a traditional follow focus. It offers the best overall package for the money and leaves both photo lenses we tested far behind. The Samyang 50 mm T1.5 features a beautifully smooth bokeh. Rokinon (Samyang) released a new 50mm Cine lens a couple weeks ago, and I grabbed it immediately! An attribute missing in comparison to more professional Cine lenses is a standardised front diameter and gear diameters among all Samyang Cine lenses for easy lens swapping when using a follow focus and mattebox. Even though the Zeiss is a stunning lens it has a downside in terms of vignetting and wins when it comes to distortion. I would imagine in a test, there would be a slight edge with the Rokinons for better contrast and flare control over the Samyangs. The VDSLR MK2 continues the line with the same multilayer coating process, industry-standard geared focus and iris rings, and fast T1.5 aperture, and it adds a 9-blade iris for beautiful soft bokeh, ⦠Read on to find out more. Samyangâs VDSLR lenses are small and lightweight, which makes them suitable for hand-held and gimbal shooting. When used on Micro Four Thirds format cameras it offers a 35mm equivalent focal length of 100mm pushing it into a telephoto angle of view. It provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 ⦠In terms of Cine it does offer the advantages of strong hard stops, a focus travel angle of about 180° and a manual iris. For entry level and semi-professional filming and videography the Samyang is absolutely recommended. What's the difference between this one and Rokinon 50? Not responsible for typographical or illustrative errors. Its Low T-number gives better light gathering power and greater choice when it comes to selecting depth of field. Vignetting:Of all lenses Samyang has the least vignetting when shot wide open. The 50mm T1.5 VDSLR AS UMC Lens for Nikon F Mount from Samyang is a fast, manual focus, prime lens. This is a subjective observation. Well, it’s a photo lens. The detail is taken from the top right hand side of an image with 4K resolution. The Rokinon line is the highest level of quality of image, finish and features that this lens manufacturer makes. The new Samyang 50mm T1.5 Cine lens is here. Deal. The optics are a masterpiece of design and a culmination of Samyangâs expertise in optical engineering. With broad 21mm angle of view and 3 glass aspherical lenses, it provides an opportunity to experience the depth and breadth of image. The Contax had more breathing and the breathing on the Canon seemed most severe. It is partly metal and operates very smoothly. Samyang announces the release of a new cine lens V-DSLR 50mm T1.5 AS UMC. The focusing ring has a play of about 1 millimeter which makes it somewhat inaccurate to use, but it has a travel angle of about 180° which is great for a photo lens. Hard Stops seem strong enough to withstand a motorised focusing system. As in all the XEEN series, the 50mm features a bright T1.5 lens with 11 aperture blades to create a pleasing bokeh effect for a cinematic look and superb optics for outstanding optical performance. In addition, bright aperture and distance markings are printed on the lens barrel facing laterally to facilitate easier control by a focus puller. Rokinon Cine CV35-C 35mm T1.5 Aspherical Wide Angle Cine Lens with De-Clicked Aperture for Canon EOS DSLR 35-35mm, Fixed-Non-Zoom Lens,Black 4.8 out of 5 stars 269 $649.00 Be aware this gives on a APS-C sensor camera a slightly telephoto perspective along with being manual aperture and focus only. Chromatic Abberation:In terms of color fringing the Samyang also outperforms the Canon and Contax. Yes it will. See the image below for an optical comparison. Rokinon is a private distributor of Samyang here in the US Market. It provides a maximum aperture of T1.5 for effective low light capture and shallow depth of field control and an 8 blade iris for attractive bokeh. Announced in August it is already available and weâve now taken a close look and compared it to 3 other important 50mm full frame lenses.. Samyang Cine lenses are very popular among low budget filmmakers as they offer semi-professional cine lens âfunctionalityâ at ⦠), but feels quite good and like a professional tool out of the box. Amazon.in: Buy Samyang 50mm T1.5 AS UMC VDSLR Cine Lens for Canon DSLR Cameras online at low price in India on Amazon.in. Choose your Camera. In terms of vignetting and distortion we could see a an obvious difference when compared to our Zeiss CP2 50mm T2.1 Makro Cine. The lens is composed of 9 elements in 6 groups, including one aspherical element and one hybrid aspherical element to reduce aberrations. It provides a maximum aperture of T1.5 for effective low light capture and shallow ⦠Unexpected! Note that the version t1.5 is a cinematography lens. The new Rokinon Cine DS 50mm T1.5 Cine Lens is one of Rokinon's newly introduced 2nd generation of cine lenses under its CINE DS line. The lenses should be listed soon at Adorama and B&H.Here is the full press release: Samyang Enhances Cine Lens Lineup with Updated VDSLR MK2 Range.